Technical Sessions

International Conference on
Indian Cinema and Alternate Networks – ICAN2 2018

Jointly Organized by

DME Media School
Delhi Metropolitan Education (DME), Noida
Guru Gobind Singh Indraprastha University, Delhi, India

And

School of Communications and Creative Arts
Faculty of Arts and Education
Deakin University, Melbourne, Australia

At IHC New Delhi and DME, Noida
On Nov 16, 17 and 18, 2018

 

Saturday November 17[11 a m – 12 Noon]

Technical Session 1: Women Centric Films in Bollywood

Venue: DME Media School classroom

Chair: Mr Nimish Kapoor, Scientist ‘E’ and Head, Science Films Division Vigyan Prasar, Department of Science & Technology, Government of India

Co-Chair: Dr Saad Ullah Khan, Assistant Professor, School of Media and Communication, Manipal University Jaipur

  1. Women even in the present day labelled “the weaker sex” in Bollywood by Aditi Panda, Phd Scholar, School of women Studies, Utkal University, Odisha
  2. Women-centric films in Bollywood by Divya Luther and Nikhil Grewal, Student, group of Institutions, Jalandhar, Punjab
  3. Women centric films of Bollywood by Archana Chawla, Research Scholar, Department of laws in Guru Nanak Dev University, Amritsar, Punjab
  4. 2017-Year of Heroine: Women centric films of Bollywood by Aadil Yousf Bhat, Student, Bachelor of Journalism and Mass Communication, Chandigarh University, Punjab
  5. Liberated women of Bollywood: An analysis of ‘Coming of Age’ women-centric films by Trinanjana Das, Assistant Professor, Amity School of Communication (ASCO), Amity University, Kolkata, West Bengal
  6. Woman and burden of post-coloniality: The courtesan film genre (1960-1990 by Dr Nandita Banerjee, Assistant Professor, Katwa College, University Of Burdwan, West Bengal
  7. Content Evolution & Criticism: A study based on women centric films of Bollywood by Jenitta Sabu, Student, BJMC, DME Media School, Noida, Uttar Pradesh
  8. Women portrayal in Bollywood during 19th & 21st century by Ritika Puri, Assistant Professor of Mass Communication at Dev Bhoomi Group of Institutions, Dehradun, Uttarakhand
  9. Treatment of Sex and Sexuality in Deepa Mehta’s Fire by Sudarshana Bishnoi & Sonu Shiva, Research Scholar, Department of English & Associate Professor, Department of English, Govt. Dungar College Bikaner, Rajasthan 

  10. Representation of female sexuality in Hindi Cinema: A study on selective Hindi movies by Navpreet Kaur, Assistant Professor, University Institute of Media Studies, Chandigarh University, Punjab
  11. Condoning the Cinematic Gaze: Addressing the fountainhead of sexism and gender related transgressions by Dr Kanwaljit Singh, Producer, Centre For Advanced Media Studies, Punjabi University, Patiala
  12. Has Hindi Cinema Come of Age? Representation of Women Centric Issues in Contemporary Times, Bharti Chibber, Assistant Professor, University of Delhi, Delhi
  13. Role of Bollywood in normalizing stalking of women by Richa Kashyap, Communication Strategist, OpsHub Inc.
  14. In the Cinema/City: The Spatial Politics in the Parisian Queen by Parichay Patra, Parichay Patra is Assistant Professor at the Department of Humanities and Social Sciences, BITS Pilani Goa Campus
  15. भारतीय सिनेमा में महिलाएं और उनका चित्रण, सुश्री रीटा शर्मा, छात्रा, भारतीय विद्या भवन, नई दिल्ली

 

Saturday November 17 [11 a m – 12 Noon]

Technical Session 2: Indian Society and Women in Bollywood

Venue: DME Media School classroom

Chair: Dr Shahid Rasool, senior academician and researcher & Director, Commonwealth

Educational Media Centre for Asia (CEMCA), New Delhi

Co-Chair: Mr Abbas Kazim, Producer Television, MCRC, Jamia Millia Islamia, New Delhi, with experience of working in various genres

  1. Bollywood and social transformation: A thematic analysis of Padman by Malvika Singh, Research Scholar, Amity University, Noida, Uttar Pradesh
  2. Hybrid generic movies breaking stereotypes: Special focus to PK, Toilet Ek Prem Katha and Padman by Vishal Kumar, Assistant Professor, Department of Journalism and Mass Communication, CTIHS, Punjab
  3. Representation of Muslim women in Bollywood: A study on changing construct and characterization of female protagonists by Sonam Sultana Shah and Dr. Pooja Basnett, M.Phil. Scholar, Department of Mass Communication, Sikkim University, Sikkim & Assistant Professor, Department of Mass Communication, Sikkim University, Sikkim
  4. Representation of Muslim minority in Mani Ratnam films: An art of visual expressionism and its impact by N.Nazini, Head & Assistant Professor, Department of Visual Communication, Sathyabama Institute of science & technology, Deemed to be University, Chennai, Tamil Nadu
  5. Representation of caste in Indian Cinema: A comparative study of Marathi movie Sairat and its Hindi remake Dhadak by Amala T Chacko and Dr Nikhil Kumar Gouda, Assistant Professor, Department of Communication and Journalism, Pondicherry University, Mahe Campus, Pondicherry & Assistant Professor, Department of Media and Communication, Central University of Tamil Nadu, Tamil Nadu
  6. Study of Dailt representation, ideological construction and a confrontational identity in Indian films by Dr M.Srihari and A. Mushab, Assistant Professor, Department of Communication and Media Studies, Bharathiar University, Coimbatore, Tamil Nadu & M.Phil Research Scholar, Department of Communication and Media Studies, Bharathiar University, Coimbatore, Tamil Nadu
  7. Role of Father in Hindi Cinema: Exploring power relations in Indian society through cinematic lens of Bollywood By Dr Manasvini M. Yogi, OSD, DSJ, Delhi University, Delhi
  8. Cohabitation and Entertainment Medium by A.R. Vimal Raj, Assistant Professor, Department of Visual Communication, Sathyabama Institute of science & technology, Deemed to be University, Chennai, Tamil NaduReflection of social issues in Gulzar’s Lyrics: An analytical study by Mohd. Aleem Khan, Research Scholar, Department of Journalism & Mass Communication, Manipal University Jaipur, Rajasthan
  9. Portrayal of Homosexuality in Bollywood, beyond its stereotype and what has changed in last 20 years: Case study of Fire (1996) and Aligarh (2016), Deepa Zutshi, Visiting Faculty, DME Media School, DME Noida, Uttar Pradesh
  10. भारतीय सिनेमा में महिलाओं का चित्रण, सुश्री निशा मोठे सैनी, छात्रा, फ़ैकल्टी औफ़ लॉं, दिल्ली विश्वविद्यालय, दिल्ली
  11. बॉलीवुड में जेलें और हाशिए के पार खड़ा कैमरा, डॉ वर्तिका नंदा, एसोशिएट प्रोफेसर, लेडी श्रीराम कालेज, दिल्ली विश्वविद्यालय, दिल्ली
  12. भारतीय हिन्दी सिनेमा और सामाजिक चेतना, डॉ सुमन, असिस्टेंट प्रोफेसर, मोतीलाल नेहरू कॉलेज, दिल्ली विश्वविद्यालय, दिल्ली
  13. बॉलीवुड और सामाजिक बदलाव, श्री सूरज कुमार सिंह, संवाददाता, यूएनआई, पटना, बिहार

 

Saturday November 17 [11 a m – 12 Noon] Technical Session 3: Indian Cinema in Digital Age

Venue: DME Media School classroom

Chair: Dr Asad Nizam, Filmmaker and Deputy Director, Electronic Media Production Centre (EMPC), IGNOU

Co-Chair: Mr Vishal Sahai, Senior Faculty and Programme Coordinator, BVBFTC, Bhartiya Vidya Bhavan, New Delhi

  1. Indian Cinema in the Age of Internet by Himanshu Singh, Research Scholar in National Archives of India, Delhi
  2. Indian cinema in the Age of Internet by Manav Saini, Student, Dewan Law College, Partapur, Meerut, Uttar Pradesh
  3. Indian Cinema in the age of Internet by Ramendra Nath Verma, PhD Research Scholar, (SCADMS) Sharda University, Greater Noida, Uttar Pradesh
  4. Use of social media in regional movie marketing: A study of two contemporary Bengali films by Dr Debastuti Dasgupta, Assistant Professor, Department of Journalism and Mass Communication, Adamas University, Kolkata, West Bengal
  5. Tamil movie character stickers in social media: Analysis of Self-Discourse and Metaphorical Context using Meipadu – Tholkappiyam (Tamil Literature) framework by Malini Srinivasan, Research Assistant, Department of Media and Communication, Central University of Tamil Nadu, Thiruvarur, Tamil Nadu
  6. Traditional Vs. Contemporary Entertainment by Divya Rastogi, Assistant Professor, DME Media School, DME Noida, Uttar Pradesh
  7. Depicting history through animation, Parul Mehra, Head (Second Shift), DME Media School, DME Noida, Uttar Pradesh
  8. Over-The-Top Media Content Usage: Influencing Family Ties by Pramod Kumar Pandey & Charu Chandra Pathak, Assistant Professor, DME Media School, DME Noida, Uttar Pradesh & Assistant Professor, VIPS, Pitampura, Delhi
  9. Multiplex and Their Economies by Atul Arora, Associate Professor, DME Media School, DME Noida, Uttar Pradesh & Assistant Professor, VIPS, Pitampura, Delhi
  10. Study on emergence of paid video content platforms and its comparison with cinema by Piyush Sharma, Student, Zima, Noida
  1. वेब सीरीज़ दर्शकों के उपयोग और परितुष्टिका विश्लेषणात्मक अध्ययन, राधिका श्रीवास्तव, छात्रा, डीएमई, नोएडा

 

Saturday November 17 [11 a m – 12 Noon]

Technical Session 4: Cinema and Alternative Platforms

Venue: DME Media School classroom

Chair: Dr O P Dewal, Senior broadcaster and Associate Professor, School of Journalism and New Media Studies, IGNOU, New Delhi

Co-Chair: Mr Vijay Sharma, Former Broadcast journalist &Senior Faculty, Department of Journalism and Mass Communication, IMS Noida

  1. “Streaming platforms as Stand-alone platforms”- A Cable TV Alternative: Analytical study about paradigm shift of gratification in special reference to Kolkata, West Bengal by Dr. Sharmila Kayal, Assistant Professor and Ruma Saha, Assistant Professor, Department of Journalism and Mass Communication, Adamas University, Barasat, Kolkata, West Bengal
  2. Film analysis through a web of networks: A paradigm shift on writings about regional films by Manish Prakash, Assistant Professor, Department of Mass Communication and New Media, Central University of Jammu, Jammu and Kashmir
  3. Focus group study on the content of Indian web series by Mohit Kumar, Research Scholar, MCU Bhopal, Madhya Pradesh
  4. Impact of Mobile Technology on consumption of Hindi cinema in rural areas by Amit Kumar and Dr. Poonam Gaur, Assistant Professor, School of Journalism and New Media Studies, IGNOU, Delhi & Assistant Professor, Department of Culture and Media Studies, Central University of Rajasthan, Rajasthan
  5. Alternate Film Streaming Platforms And Youth Preferences In Delhi – NCR: An Analysis by Divyani Redhu, Research Scholar, University School of Mass Communication, Guru Gobind Singh Indraprastha University, New Delhi
  6. Impact of Action Bollywood Cinema on Children by Sumantra Sarthi Das, Assistant Professor, DME Media School, DME Noida, Uttar Pradesh
  7. बीबीसी हिन्दी डॉट कॉम पर मनोरंजन की खबरों के कंटेन्ट का स्तर: एक अध्ययन, सुश्री वंदना यादव, शोधार्थी, ऐमिटी विश्वविद्यालय, नोएडा, उत्तर प्रदेश
  8. बालीवुड का भारतीय समाज पर असर, श्री कमल पंत, असिस्टेंट प्रोफेसर (विजिटिंग), ज़ीमा, नोएडा, उत्तर प्रदेश
  9. कामकाजी और गैर-कामकाजी महिलाओं में वैकल्पिक नेटवर्क और टेलीविजन की लोकप्रियता, पूजा बंसल, छात्रा, डीएमई, नोएडा

 

Sunday November 18 [9.30 – 10.30 a m] Technical Session 5: Indian Cinema and the West

Venue: DME Media School classroom

Chair: Dr Namrata Joshi, Head, Journalism and Mass Communication Department, Guru Nanak Dev University Regional Campus, Jalandhar, Punjab

  1. Connecting India and West in Malayalam CIA movie: A cultural analysis of Love, Politics and Border by Rajib Nandy, Assistant Professor, Dept. of Communication and Journalism, The University of Chittagong, Chittagong, Bangladesh
  2. Weimer cinema and early Indo-German collaboration by Dr Anuja Bagchi, Lecturer, Department Of Mass Communication Gurudas College, Kolkata, West Bengal
  3. Bollywood in Australia: Analysis of genre having maximum impact by Ruma Saha and Dr. Sharmila Kayal, Assistant Professors, Department of Journalism and Mass Communication & Assistant Professor, Department of Journalism and Mass Communication, Adamas University, Barasat, Kolkata, West Bengal
  4. Impact of Neo-realism Movement in Indian Cinema (Study based on Bollywood Films) by Dr Dhiraj Shukla, Assistant Professor, Department of Journalism, Uttarakhand Sanskrit University, Haridwar, Uttarakhand
  5. Bollywood’s portrayal of second generation diaspora residents: Cultural hybridity, multiculturalism and identity conflict by Mita Biswas, Assistant Professor, Department Journalism and Mass Communication, Charuchandra College, Kolkata, West Bengal
  6. Marvel Studios’ Black Panther: An analysis by Sehba Ali, Freelancer, Moradabad, Uttar Pradesh
  7. Bollywood Hollywood Collaboration: New horizons of relationship by Manisha and Dr. Sunita Mangla, Assistant Professor, Department of Journalism & Assistant Professor, Department of Political Science, Kalindi College, University of Delhi, Delhi
  8. Indian film industry a significant vehicle of India’s soft power by Prof. Francis Arackal Thummy, Professor of Journalism and Mass Communication at Amity University, Gurgaon, Haryana
  9. From “Logic of Sensation” to “Distribution of Sensible”: Identifying “Excitons” in Cinema and Senses by Dr Aman Vats and Dr Amaresh Jha, Associate Professor, Amity School of Film and Drama & Assistant Professor, Amity School of Communication, Amity University, Noida, Uttar Pradesh
  10. Bollywood in Australia, Ankusha Sharma, Student, CT Group of Institutions, Jalandhar, Punjab
  11. बाहुबली-भारतीय सिनेमा का एक अभिनव प्रयोग एक अध्ययन, डॉ सुखनंदन सिंह, मीडिया विभाग प्रमुख, देवसंस्कृति विश्वविद्यालय, हरिद्वार, उत्तराखंड

 

Sunday November 18 [9.30 – 10.30 a m]

Technical Session 6: Cinema in Indian Sub-Continent

Venue: DME Media School classroom

Chair: Dr Kanwaljit Singh, Associate Professor, CAMS, Punjabi University,  Patiala

  1. Search for an Alternative Identity: A study of cinematic adaptation of ‘Pinjar’ and ‘Train to Pakistan’ by Anyesa Paul, Ph.D. Scholar, Amity University, Noida, Uttar Pradesh
  2. Islamic fundamentalis m: Contextualizing Taslima Nasreen in Indian Bengali movie Nirbashito by Rajib Nandy, Assistant Professor, Dept. of Communication and Journalism, The University of Chittagong, Chittagong, Bangladesh
  3. Refugee life in Bengali Cinema: Ritwik Ghatak’s Partition Trilogy by Rajib Nandy, Assistant Professor, Dept. of Communication and Journalism, The University of Chittagong, Chittagong, Bangladesh
  4. Impact of Indian Cinema & TV in creating fashion excitement in Bangladesh by Rajib Nandy and Trinanjana Das, Assistant Professor, Dept. of Communication and Journalism, The University of Chittagong, Chittagong, Bangladesh & Assistant Professor, Amity School of Communication, Amity University, Kolkata, West Bengal
  5. Studying approach of Indian community towards Indian cinema of different periods by Nidhi Suryavanshi, Student, ITMI, Noida, Uttar Pradesh
  6. Alluring yet mysterious: Representation of Femme fatal in Hindi Noir Films by Neema Negi, Research Scholar Departmnet of Journalism and Mass Communication, Dev Sanskriti Vishwavidalaya, Haridwar, Uttarakhand
  7. Effect of watching a certified movies on children: A Study by Smriti Bajaj, Student, DME Media School, DME Noida, Uttar Pradesh
  8. Indian Art Cinema: The Sinking Ship by Sudhanshu Maheshwari, Student, ITMI, Noida, Uttar Pradesh
  9. Changing paradigms in regional cinema: With reference to Punjabi Cinema, Manmeet Kaur, Assistant Professor, DME Media School, DME Noida, Uttar Pradesh
  10. A Study on cinematic portrayal of rare diseases and disorders by Sanchita Chakraborty, Assistant Professor, DME Media School, DME Noida, U P
  11. आधुनिक सिनेमा और युवा वर्ग, श्री राहुल जोशी एवं श्री हरजीत सिंह कुकरेजा, असिस्टेंट प्रोफेसर, दिल्ली मेट्रोपोलिटन एजुकेशन, डीएमई मीडिया स्कूल, नोएडा, उत्तर प्रदेश
  12. ग्रामीण क्षेत्र में सिनेमा की पहुँच और लोगों की अभिरूचि, अमरदीप सिंह, सहायक प्राध्यापक, तीर्थंकर महावीर विश्वविद्यालय, मुरादाबाद, उत्तर प्रदेश
  13. सामाजिक मुद्दों पर बनने वाली फिल्मों का समाज पर असर और भारतीय सिनेमा, रमा सोलंकी, शोधार्थी, हिमगिरी ज़ी यूनिवर्सिटी, देहरादून, उत्तराखंड

 

Sunday November 18 [9.30 – 10.30 a m]

Technical Session 7: Changing Trends of Indian Cinema

Venue: DME Media School classroom

Chair: Dr Aman Vats, Associate Professor and Coordinator, Research Division, Amity School of Communication, Amity University, Noida

  1. Changing trend of Indian cinema revisit by Yogita Swami, Research Scholar, Manipal University Jaipur, Rajasthan
  2. Indian Cinema: A study of promotional trends by Bollywood by Gurwinder Singh, PhD Research Scholar (UGC-JRF), Department of Journalism and Mass Communication, Punjabi University, Patiala, Punjab
  3. Indian Cinema and Covert Advertising: A study of Symbolic and Technical Elements by Nitya Dhingra, PhD Research Scholar (ICSSR), Department of Journalism and Mass Communication, Punjabi University, Patiala, Punjab
  4. Product Placement in Hindi movies: Innovative and Efficient Marketing by Navsangeet Saini, Assistant Professor, Chandigarh University, Punjab
  5. Punjabi Cinema: Changing trends over the years by Muskan Sidana, Assistant Professor, Dept. of JMC, CT Institute of Higher Studies, Jalandhar, Punjab
  6. Multiplex oriented Indian cinema by Shruti Sharma, Bachelor of Journalism and Mass Communication, Chandigarh University, Punjab
  7. Bollywood, Delhi Metro and culture of mobility by Sonali Sharma, Assistant Professor, AJK Mass Communication Research Centre, Jamia Millia Islamia Jamia Nagar, Delhi
  8. Changing trends of Indian cinema music: A study of remix songs by Samiksha Sharma, Student, DME Media School, DME Noida, Uttar Pradesh
  9. Indian Cinema: The Role of Censorship in Indian Society by Dr. Radhika Mehta & Divya Khera, Assistant Professor Assistant Professor, Jagannath Institute of Management Sciences Jagannath Institute of Management Sciences, Rohini, Delhi
  10. Reinventing Sunny Leone: From a Porn Star to a Bollywood Star!, Dr Vikrant Kishore, Course Director – Film, Television & Animation, Deakin University and John Cumming, Senior film scholar, Deaking University, Melbourne, Australia
  11. Analyzing Journey of Hindi cinema through Cinema Ka Safar programme by Dr. Susmita Bala, Head. DME Media School, DME Noida, Uttar Pradesh
  12. Freedom of Speech and Expression of filmmakers/artists and Censorship by Kush Kalra, Assistant Professor, DME Law School, DME, Noida, Uttar Pradesh
  13. Through the Freudian lens: Zindagi Na Milegi Dobara by Deepika Dhawan, Apeejay University, Sohna, Haryana
  14. The fascinating Bollywood fashion: Transformation of costumes in Indian cinema by Shweta Saxena, Senior Scientific Officer at NITRA, Northern India Textile Research Association, Ministry of Textiles, Govt. of India
  15. Portrayal of Post-Partitioned Indian Muslims on Silver Screen: A Case Study of ‘Garm Hava’ and ‘Mammo’, Saad Ullah Khan, Assistant Professor, School of Media and Communication, Manipal University, Jaipur
  16. सामाजिक मुद्दों को समाहित करता हिन्दी सिनेमा का नया दौर- एक अध्ययन, दीपक कुमार, शोध छात्र, देसंविवि एवं सौरभ कुमार, प्रवक्ता, देसंविवि, हरिद्वार, उत्तराखंड
  17. स्वांतर्योत्तर भारत में डॉक्युमेंट्री सिनेमा: काला व वैचारिकी विषयक अध्ययन, चारु चन्द्र पाठक, सहायक प्राध्यापक, विवेकानंद इंस्टीट्यूट औफ़ प्रॉफेश्नल स्टडीज़, पीतमपुरा एवं प्रमोद कुमार पांडे, सहायक प्राध्यापक, डीएमई, नोएडा

 

Sunday November 18 [9.30 – 10.30 a m]

Technical Session 8: Themes and Genres of Cinema

Venue: DME Media School classroom

Chair: Dr Arun Bhagat, Head, Makhanlal Chaturvedi Patrakarita Vishwavidyalaya, Noida Campus

  1. Biopics as source of motivation amongst youth: A study in Noida amongst students at UG level by Mohammad Kamil, Assistant Professor, DME Media School, DME, Noida, Uttar Pradesh
  2. Transition of romance in Hindi cinema from ‘Swiss Alps’ to dingy lanes of small town India by Kanika Arya, Assistant Professor, Dnyanasadhna, Thane, Maharashtra
  3. Bollywood and social transformation: Impact study of top five rated Bollywood movies with social theme by Navneet Sharma, Staff Writer & Information Officer (English)  at Information, Public Relation and Languages Department, Haryana
  1. Melodramatic excess used to persuade Dravidian/Self-Respect thoughts through Tamil Cinema with special reference to “Ratha Kanneer” by Subramanian N, Research Scholar, Research Department of Visual Communication, Hindusthan College of Arts and Science, Coimbatore, Tamil Nadu
  2. Dissecting director G. Aravindan’s Classic –KanchanaSita (1977) by Adv. Anand V, Advocate, Delhi High Court, Delhi
  3. Film Criticism in Digital Age: A study of film rating system in Bollywood by Bharti Shandilya, PhD Scholar, School of Journalism and New Media Studies, IGNOU
  1. Reading the Royal Romance: A Semiotic Analysis of Holi song from Hindi film Padmaavat by Kartikey Goswami, Assistant Professor, School Of Communication, Manipal Academy of Higher Education, Manipal, Karnataka
  2. Antagonists the new emerging heroes of Bollywood by Shikha Sharma, Assistant Professor, KR Mangalam University, Gurugram, Haryana
  3. Film as an Artistic Approach: Challenging religious beliefs by Neelam Nanda, Assistant Professor, DME Media School, DME Noida, Uttar Pradesh
  4. Distortion of history in Bollywood Period Drama (Films), Kritika Sati, Assistant Professor, DME Media School, DME Noida, Uttar Pradesh
  5. The Utilisation of Indian folk dance forms in Bollywood – Hybridisation or Exploitation?, Dr Vikrant Kishore, Course Director – Film, Television & Animation, Deakin University, Melbourne, Australia
  1. “Tera Jaise Tu Hain…Mera Jaisa Mein Hoon”-A significant scene by scene analysis for caring of pet animals through the movie “Fanney Khan”, Dr Ramani Assistant Professor, Swarna, Miranda College, University of Delhi, Delhi
  2. Role Of Biopic Films In Promoting Sportsmen And Sports In India, Annu Sangwan, Student & Dr. Manasvi Maheshwari, Assistant Professor, KR Mangalam University, Gurugram
  3. Film Review: Elements of film and style of writing by Dr Ambrish Saxena, Dean, DME Media School, Delhi Metropolitan Education, Noida
  4. जिंदगी को और जिंदा बनाने वाली फिल्मों का दर्शकों पर प्रभाव और अध्ययन, डॉ आदर्श कुमार, असिस्टेंट